Type design and brush calligraphy from a small studio in Kyoto. Marks for editions, signage, and the occasional house mark.
A commission moves through three movements. Each takes a third of the time. Skipping the first costs the third twice over.
A week of looking — what does the brand sound like, what does the page need? No marks yet.
Twenty to forty brush studies on washi. The mark is found, not designed.
Vector translation, hinting, and OpenType where applicable. Final delivered with the inked original.
Hiroshi cut a typeface for us in fourteen weeks. It still feels brushed even on a screen.
The studio takes about ten commissions a year. Type families twice that.
Spent the morning re-grinding a stone — twenty-eight years old this autumn.
Kohaku Italic shipped to Foundry 47. Slightly slower than I had hoped.
Two weeks in Kanazawa visiting the gold-leaf workshops.
Began a quiet essay on the difference between a stroke and a line.
Most commissions begin with a single word — a name, a verb, a phrase your brand keeps repeating. That is enough.